As a child, I was always shocked by the silence of my friend’s houses.
There might be conversation, and the constant chatter of siblings. There might even be chaotic arguments between family members and blaring televisions hypnotising viewers with advertisements about the latest weight loss treatment or the coolest new toys that you needed to buy now, now, now.
But there was so rarely music playing.
Taking drives with friends’ parents elicited the same sense of surprise and a deep-seated sense of uneasiness; everything was so quiet, so ordered. There would be talk-back radio playing softly, or top 40 songs buzzing in the background, but music was never the focus for their parents.
My mother was different.
Our house was alive with music, with sounds, with dancing, with movement. Car trips with her would start with the cassette player clicking efficiently, the music picking up where it left off when she had last turned off the engine. We never had a CD player growing up – they were too expensive for us, so tapes and records were the mainstays in our house and in the car.
Each car trip would involve a careful selection, a finger running down the spines of much-loved cassettes, choosing the one to set the tone or suit the mood. We’d pull up to the lights in Mum’s Chrysler, parked next to a mini-van or safe-looking sedan, and from our car you’d hear pumping drums and wailing guitars and see the three of us singing or incorporating a variety of air-guitar and air-drum moves as Janis Joplin or Hendrix or Zeppelin or Cream played. Mum would laugh as the stern suburban ladies would glare reproachfully, and her car would squeal off from the lights once the green said go, go, go.
I often wonder if she was afraid of what lived in the silences.
By turning up the stereo, she could drown out the memories, dance away the trauma, and lose herself in the record’s crackle and pop. Her blue eyes would meet mine in a challenge, a demand, an entreaty, to get up, to join her, to turn the volume up until you could no longer resist moving your hips to the music and feel the bass vibrating through your body.
She wrapped the music around her, moving to its staccato rhythms, never stopping, never staying still for too long. She was always on the move, with the devil on her tail. If there’s an afterlife, she’s driving into lost horizons with one hand on the wheel and one hand reaching to turn the music up, up, up, blue eyes trained on the road and her slender fingers tapping to the beat.